Discovering Degas: Close Encounters with a Complex Artist
Harvard Extension School
HARC E-202
Section 1
CRN 17331
Edgar Degas (1834-1917), central to the modernist movement in Paris during the second half of the nineteenth century, produced a body of work that extended over five decades, from about 1855 to 1905. Presented in a range of diverse media—painting, pastel, drawing, prints, and sculpture—his work resulted from a highly original, individualistic response to the contemporary world that he expressed through innovative choices in both subjects and technique. In his work, Degas created many masterpieces that stand as unforgettable images of life at the time, within Paris and beyond. They range from portraits, horse racing, the ballet, and the theater to cafe culture, women bathing and grooming, and travel. However, conspicuously absent is any sustained interest in landscape, the preferred subject of Degas' Impressionist colleagues, especially Edouard Monet. Using a contextual approach, this course looks closely at some of these major areas in Degas' work between about 1860 and 1900, considering examples like The Bellelli Family (1858), Racehorses at Longchamp (18871), In the Terrace of a Cafe, Evening (1877), Little Dancer (1879), After the Bath (1884), Visit to the Museum (1885), and Four Dancers (1896-8). Degas' originality and versatility continues to attract scholars, curators, and general admirers of modernism, so the course incorporates recent as well as established viewpoints.
Registration Closes: August 28, 2025
Credits: 4
View Tuition Information Term
Fall Term 2025
Part of Term
Full Term
Format
Live Attendance Web Conference
Credit Status
Graduate, Noncredit, Undergraduate
Section Status
Open